Tag: REVERB DELAY
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Dimension (Reverb / Delay)
– Try Dense / Warm Chamber IR (e.g. Hofa v1 Large Dense Chamber) or Dark Rooms – What you Could Do is Use the Convolution to Place e.g. a Orchestral Snare to the Back and then Add a Algorithmic to Add Life – so what is Important is the Relation between the Dry Sound (Singer…
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Pre Delay Basics
1) Front Send Bus (Close) = Pre Delay 25ms to 40ms 2) Middle Send Buss = Between Pre Delay 10ms and 20ms 3) Back Send Buss (Back) = Pre Delay 1ms to 10ms
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Most important Reverb Parameters for Depth and Space
General Shape Pre Delay – Dettwiler Refers High Pre Delays to Keep Original Signal Clear (50ms to 80ms or Higher) Size ER / Diffusion
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Orchestra Reverb Far / Middle / Front
Preparation Routing 1) One IR Send with only ER and the correct Pre-Delay to build the Distance w Todd AO Room for Example (Tail Mix set to Zero) 2) One IR Send with only the Tail Mix adjusted to Material with Bricasti Concert Hall for Example (Pre-Delay set to Zero) 3) use as Pre-Fader to…
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Example Chain to Create Depth
1) Use Shape, Pre Delay and Size to Create the Basic Reverb Sound – i.e. Either Attach a Sound to the Wall, or Detached then you Hear it Close, or Somewhere in-between, but Always Without Losing the Force of the Wall (i.e. Wall is the Limit) 2) Compressor After Reverb to Control the Reverb Attack …
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Example Adding Stuff After the Reverb
1) Add a Compressor After the Reverb to Make it Bigger a) No Auto Gain if you Don’t Want to Make the Signal Louder or then Use it to Compensate the Ratio (e.g. for 2:1 add 2db) b) Range of Max -3dB Compression c) Ratio 2:1 d) Slow Release of 600ms, i.e. Long = More…