Tag: REVERB DELAY

– a High and Low Pass Filter are Added on the Reverb Sound 1) Add your Reverb to a Bus Track 2) Put a EQ (or a Hi/Low Pass Capable Filter) in Front of the Reverb 3) Set the HPF to 12dB per Octave (can also be 18dB) and Roll it Off to about 600Hz…

General Workflow 1) Adjust Pre Delay 2) Increase Send (Starting from Zero) Until You Really Hear the Reverb on Top of the Signal, i.e. You Hear that this Sound has Reverb On it (e.g. Send Amount of -10) 3) Then Again Go Back to Zero with the Send, Increase Send (Starting from Zero Again) Until…

Make a Track More Stereo 1) Create 2 Sends with 2 Different Reverbs / Settings and Pan Each Hard Left / Right 2) Left a Dense but Dark Plate  3) Right a More Bright Plate Ducked Reverb Tail Reversed Tail – Reversed Tail Trick to Add Interest, Fade In Vocal, or Before / Inside Breakdown…

– this Setup is to Send Hard Panned Tracks or any Sound that has more Signal on either of the Sides to the Other Side to Equal the L/R Power (to have just a little bit of Echo on the other Side) – Put 2 different Slap Delays with one Panned Hard Left with a…

1) Direct Sound = Sound Coming from the Sound Source Directly to Your Ears 2) Early Reflections = Hits 1 or More Surfaces and then Comes Back to Your Ears, Die Off Pretty Quickly – Pre Delay is Quasi the Difference between the Direct Sound and the Early Reflections in Terms of the Time Delay…