Tag: REVERB DELAY
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Reverb in Mastering
1) Roll Off High End to About 2.5 KhZ or 3 KhZ 2) Short Decay with 2/3rds of a Second 3) Maximal 10% Wet, Rather 5%
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Slap Delay Tip
– this Setup is to Send Hard Panned Tracks or any Sound that has more Signal on either of the Sides to the Other Side to Equal the L/R Power (to have just a little bit of Echo on the other Side) – Put 2 different Slap Delays with one Panned Hard Left with a…
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Abbey Road Reverb Trick
– a High and Low Pass Filter are Added on the Reverb Sound 1) Add your Reverb to a Bus Track 2) Put a EQ (or a Hi/Low Pass Capable Filter) in Front of the Reverb 3) Set the HPF to 12dB per Octave (can also be 18dB) and Roll it Off to about 600Hz…
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Creative Reverb
Make a Track More Stereo 1) Create 2 Sends with 2 Different Reverbs / Settings and Pan Each Hard Left / Right 2) Left a Dense but Dark Plate 3) Right a More Bright Plate Ducked Reverb Tail Reversed Tail – Reversed Tail Trick to Add Interest, Fade In Vocal, or Before / Inside Breakdown…
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Dimension (Reverb / Delay)
– Try Dense / Warm Chamber IR (e.g. Hofa v1 Large Dense Chamber) or Dark Rooms – What you Could Do is Use the Convolution to Place e.g. a Orchestral Snare to the Back and then Add a Algorithmic to Add Life – so what is Important is the Relation between the Dry Sound (Singer…
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Pre Delay Basics
1) Front Send Bus (Close) = Pre Delay 25ms to 40ms 2) Middle Send Buss = Between Pre Delay 10ms and 20ms 3) Back Send Buss (Back) = Pre Delay 1ms to 10ms