Tag: SPATIAL
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Mixing in Mono Full (Full Guide)
General – at the End of the 60ies “Stereo” was Introduced, i.e. Music was Heard through 2 Speakers and Forced the Engineers to Follow it – e.g. Suddenly Engineers Started to Pan Things Hard Left and Hard Right which was Ok for a Stereo Equipment but Bad for Mono Equipment (e.g. you could be that…
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Mix Separation Tips
General Ideas 1) Set Priorities for Conflicting Passages a) First Ask Yourself if Both Instruments are Needed at All at the Same Spot? b) If Yes, Ask Yourself if Which Instrument is More Important at that Spot? c) How Much the Less Important Instrument can be Attenuated in Terms of Frequencies and / or Level…
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Mix and Pan in Constrained Boxes
General – the Idea is to Know which Box to Mix First and Continue in Little Boxes Until all Instruments are Mixed in Terms of Panning Workflow 1) Put 1 Thing to Middle 2) Pan 2 Same Related Weight Things a Little Off Centre at Same Position, e.g. L33 and R33 – Do Not Use…
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Mixing for Depth and Space
1) First Make Notes of How you want to Stack All Tracks 2) Clean Up Low and High Frequency Content from Tracks that Don’t Need Them 3) Sidechain Tracks that Use a Very Similar Frequency Spectrum Against Each Other (e.g. with Trackspacer, DSEQ, Multiplicity) 4) Clean Midrange by Listen Through an EQ (e.g. ADPTR) that…
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Widen Tricks
1) M/S EQ = Increase the Side Above 5kHz a Little, the Mid and the Side Should have a Coherency of Its Own, also to Clear Out the Middle of the Reverb Signal, Cut Lows and Boost/ Emphasise Highs in Side Channel 2) Use a Elliptical Filter to Put the Low End to the Middle,…
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Width, Depth and Height in a Mix
Width Panning for Width Test 1 Panning for Width Test 2 Reverb for Width Test Depth Height