Tag: EDM
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Top Down Approach EDM Track
Separation 1) Insert EQ on the Master Out – High Shelf Boost 2dB from 1080Hz with Q 24, Bell Boost at 288Hz by 2dB with Q 0.7, Bell Dip at 45Hz by 1dB with Q 0.7 2) Insert Dynamic Tool on the Master Out to Enhance Mids 3) Widen Kick with Ozone Imager “TFX Kick…
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Sidechain and Ducking Tips
General – e.g. Try More Short Sounds as a Trigger Source that Even Do Not Belong to the Composition (Just as Sidechain Trigger) – Use the Send in Pre Fader Mode at 0dB (Full), i.e. the Signal that Goes into SC Compressor Should be Always at the Same Full Gain and Pre Fader Does Just…
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Kick Layer Approach
General Workflow Start with the Kick Knock Add the Sub Add a Click – Cut Things Off Axis for Every Kick and Quasi Add Intentionally a DC Offset – i.e. Instead Searching for the Zero Crossing Point in the Waveform, Shift the Starting Point of the Sample to Intentionally Search for the Best Click –…
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EDM Tips
General – in EDM, the Loudest Peak Should Always be in the Low Frequency at Around 50Hz to 60Hz, i.e. to Balance the Volume Against the Mid Range / High Range (when Mastered this Low Peak Dances Around -5 to -10 dBFS) – to Enhance a EDM Kick you can Use a Multiband Saturator and…