Yendo Starritz

All About Music Production

Phil Collins Gated Drums

Yendo Starritz
in
  • for a Phil Collins Drum Machine Effect, Create a Slap Left Channel 25ms and Right 15ms
  • Tune Left Channel -0.992 Cents (Slightly Flat) and Right Channel -1.000 Cents (Slightly Sharp)
  • Overall Detuning About 1.008ms for Chorus Effect
  • AMS Non Linear for Gate Drums, Non Linear Means Reverb Decays Not Linear (Does Not Slowly Fade Out) but Stays and then Decays Abruptly (Like it is Compressed), i.e. Instead Setup Gated Drum Chain Manually the AMS had this “Non Linear 2” Preset Ready 
  • on the Bass Drum Scoop Out Some Low Mids with Shelf Often with Frequency at 200Hz, then Boost Bass End with Bell at 90Hz, Low Cut Rumbling, Bell Boost 5kHz, 
  • as they Printed to Tape Back then on Every Drum Sound  the Expander was Often in Use to Avoid Tape Hiss, i.e. Gate / Noise Reduction 
  • Send also Kick Drum to a Gated Verb

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