Articulations and Templates

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General

– Use a Patch with a High “p” Dynamic Level if you need it louder (not raise the Volume of a ppp Patch for the proper Dynamic)

– Use Mod Wheel (1) for different Dynamic Layers & Expression (11) to Control Volume

Dynamics and there Names 

– Dynamics dB are of course relative, but widely used for Orchestral Illustrations 

– may differ in Vienna, Berlin or Paris because of different Halls / Recording Studios / Mic Positions / Early Reflections / Number of People etc. 

– Cinematic Strings or LASS for Example have ppp 0-21, mp 22-54, f 55-93, fff 94-127

VSL SE Velocity Layers by Midi Note Numbers

– see Info of each Patch in VI Pro for amount of available Layers

This Sheet affects Brass Libraries

Linear Differences 

– Instrument Dynamics to handle between different Libraries

How many Woodwinds in Unison it Needs v1

  • to equal the “ff” (Fortissimo) Dynamics for each Department of a String Section 
  • Based on Standard amount of String Players

– means for Violins 1 there can be 3 Woodwinds in Unison playing, Violins 2 = 3 etc.

How many Woodwinds in Unison it Needs v2

  • Based on Mahler, Strauss, Wagner 
  • or later adapted by Debussy, Ravel, Stravinsky amounts of String Section Players

– here Appassionata String Patches in VSL that is pre-defined for that amount of Players (called Dramatic Sized String Section)

Dynamic Equivalents 

– as Volume increases there is less Equality between individual Instruments & Sections

– this forces you to understand the Blending of Instruments in Unison and other Combinations at varying Level so the Orchestra is balanced, Based on:

Violins 1 = 12 Players

Violins 2 = 10 Players

Violas = 8 Players

Cellos = 6-8 Players

Basses = 2-3 Players

What Woodwinds Meet the String Sections in each Department 

– Based on last 120 Years

  • to manage the Dynamics from Violins 1 in a Standard Sized String Section to a Dramatic Sized String Sections “pp” all up to “ff” (Art Not Science)

Extras


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