Yendo Starritz

All About Music Production

Tag: PARALLEL

  • Serial Bass Compression Tip

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    General Insert 1st Compressor (No Make Up Gain from Start) 1) Ratio 4:1 2) Hard Knee 3) Threshold for 5dB – 10dB of GR 4) Now Compensate with Make Up 5) Set Release to Medium Release or Auto Release  6) Adjust Attack, Make Attack Aggressive / Too Far so you Hear the Bass Getting Dull…

  • Parallel Keys

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    1) Send Keys to a Bus in Parallel 2) On the Parallel Bus, Insert a) Compressor (Quite Strong Ratio 10:1 / Quick Attack 10ms / and Optionally Duck Upon Kick for Pumping Effect, Set Release to Pump with BPM)  b) EQ Filter Low End Up to 400Hz c) Add a Width Plugin that Spreads Above…

  • Boom Bap Drums Parallel with Reverb

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    General 1) Create the Drums with Elements from “Milieu Drums” (RX Version / Falcon / Mono or Stereo Folders)  – Make Elements as Short as Possible in Falcon (i.e. Avoid Too Much Original Reverb) 2) Insert Gate to Hat and SC Send Snare + Kick to Hat to Duck Hat, Adjust Attack / Release for…

  • Rear Buss Compression

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    General – Simply means Dual Mono Compression on the Entire Track but Without Drums and then this Copy of the Mix is Parallel Mixed into the Entire Song – i.e. Basically a Copy of the Mix Without the Drum and then Parallel Blend this Copy to the Mix to Your Taste – when Drums are…

  • Parallel vs Serial (Signal Path)

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    Parallel (Simultaneously / Independent) – Each Processor Inside a Parallel Effect Takes the Original Signal, Processes it and then the Output Gets Mixed – Picture of “Flux Solera” Dynamic Module Working Parallel and Each One has its Own Output Serial (Coupled) – Inside a Serial Chain, Each Process uses the Same Signal Again and Again…