Table of Contents
Filters
- Were the First Equalizers in Broadcast
Low Cut / High Cut
- Cut Frequencies from a Selected Point
Low Shelf / High Shelf
- Boost Frequencies from a Selected Point
Graphic Equalizer
- Came After Filters
- Fixed Selected Frequency Points which you can Boost or Cut
- API 560 EQ
- Frequency Points are Close to Octaves
Parametric Equalizer
- Came After Graphic Equalizers, Invented by George Massenburg
- Added the Q Factor to Go from Narrow to Broad and Reach Out for More Frequencies than the Graphic Equalizer was Able to
- e.g. a High Q of 1 Could Affect 900Hz to 1kHz while Low Q can Reach 750Hz to 1.2kHz
- Semi Parametric has Gain, Either Selecteable Frequency with No Q or Only Selecteable Q on a Couple of Bands (but Not Both)
- Fully Parametric has Gain, Selecteable Frequency and Selecteable Q
Linear Equalizer
- All Analog EQs are Minimum Phase, so Linear is a Digital Option Only
- Linear Equalizer Goal is to Avoid Phase Issues
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